Bleary have unveiled their fourth (and final) pre-release single ahead of their full-length debut, Little Brain. The new track, “925,” is the anti-work anthem we all need right now.
Steeped in the same distinctive guitar tone as the prior three singles – “sugar splint”, “bug” and “foyer” – but more bombastic and immediate than we’ve heard before, “925” is the rallying cry to remind you that work can make you sick, get out there and wake up, smelling those flowers in the morning sun.
First and foremost, Infinite Limb (Kyle Numann) has joined the yk roster. The Nashville based artist and musician has an impressively varietal body of work – from his early solo performances with looping pedals, to multiple albums and videos with his art-folk band Cloudmouth, to three prior albums as Infinite Limb; his creations have run the gamut of ideas and always proven to be compelling endeavors.
He’s also curated a monthly series of collaborations called Ambient Sundays. These early evening performances are curated by Numann to help cultivate a community of like-minded creatives in Nashville. It is a damn fine way to spend a Sunday night.
We are excited to work with Infinite Limb on his fourth album, Seeds for Cosmic Radio – an album inspired the unfathomable connection of your home garden, the atom smashing nuclear furnace of our sun and the interconnectedness of each and every one of us in the outlandishly large universe.
Which brings us directly to the second note of good news, Infinite Limb’s fourth album (and debut on yk Records), is available today on Bandcamp and Ampwall.
Watching his front yard become a living ecosystem each summer, Kyle Numann reflected on the intertwining of the plant-cosmos connection – every leaf on the planet powered by star energy, the entire web of life feeding on cosmically produced plant energy. The colliding scales between the minutiae of plant cells and the incomprehensible magnitude of a star’s nuclear furnace inspired Seeds for Cosmic Radio.
The album came together through weeks of listening through archives of multitrack recordings from the previous several years — compositions built on hardware sequencers, performed live, captured in the moment. These were curated and given fresh attention with renovated arrangements. The sequence of pieces was arranged alongside a field recording of ocean waves at night, ebbing and flowing continuously.
Numann’s final 17-track exploration functions as an aural journey from the confines of the garden to the expanses of outer space, a reminder of the constant conversation between the natural world and the human landscape. He notes a second inspiring force, “I find the theme of interconnectedness to be a powerful tool. In an age of environmental uncertainty I find connecting to the natural world helps to keep me grounded. We live in romantic times, where truth flies on a feeling. Maybe one way to progress is to encourage the kinds of feelings we need to float us into a better future… or at least give us the peace of mind to keep trying.”
To commemorate the release, Seeds for Cosmic Radio is paired with a package of Zinnia seeds cultivated and hand-harvested from Numann’s home garden. These are hardy bloomers that pollinators love, each flower capable of producing dozens more seeds. The journey to growth starts in the dirt and yearns for a remnant of smashed atoms from 93 million miles away.
Looking at the bootleg archive site TheFeatures.live, there are recordings of the song “God Save Rock n’ Roll” going back as far as the year 2000 and, yet, the song has never been officially released. Listening to that recording now, you can hear the crowd singing along – a live favorite that may go back even further than the start of this century.
By 2003, The Features had polished the song and 16 others as they headed to Sweet Tea Studios in Oxford, MS. Along with producers Mike McCarthy and Craig Krampf, they recorded their major label debut – aptly titled Exhibit A. The band and McCarthy mixed the songs to their liking and submitted the album to their label.
As any large label is want to do, changes and tweaks were requested to ensure the bands success in reaching the widest audience. Overdub recordings were done, an additional mix was performed by David Thoener and a new final master from George Marino at Sterling Sound buttoned it up. The Exhibit A that was released in 2004 was the result of a collaborative process between the producers, the band and the mechanisms of Universal Records. “God Save Rock n’ Roll” didn’t make the final tracklist.
The Features career launched in 2004 with the release of Exhibit A; bringing in loads of new fans, tours around the world and many more albums to follow. But the original version of Exhibit A was never heard.
Now, twenty-two years later, we are proud to present the Sweet Tea Recordings in full as thank you to everyone that supported Exhibit A and The Features over the years.
The brand new deluxe 2xLP contains all 17 songs recorded in Oxford, MS. along with a bounty of b-sides and demos, including “God Save Rock n’ Roll” for the first time ever.
The recordings were sourced directly from Mike McCarthy’s archive and The Features vault of demos from Brian Carter, Craig Krampf and Mike Poole. The entire batch of songs was mastered by John Baldwin at Infrasonic Sound for maximum sonic fidelity. Photos and ephemera were sourced from friends and family to be included in the artwork. Matt Pelham himself created collages of keepsakes on top of The Features own flight cases for the innersleeves.
The album is available for pre-order today but ships immediately. If you purchase from the YK Shop, you will get an immediate download of the entire record. If you purchase on Bandcamp or Ampwall, we’ll release the songs next Wednesday, April 8th. If you’re waiting for streaming, you’ll find it there on April 11th.
New episode of YK WORLD just dropped. It’s a short one but comes with the announcement of a new YK related endeavor – YewTube. No, I’m not launching a new streaming music video service, this is a tool to make YouTube Music Playlist Embeds look nicer. Let me show you an example.
You can see the same sampler over on YouTube Music but if you tried to embed it on another site, it would look godawful. Granted, this project is solving a very niche problem but it’s a niche problem I had that needed to be solved.
In the latest episode of YK WORLD I talk a bit more about the project and share some more specifics on why I built it in the first place.
I am hoping that these prettier embeds will show up over on the YK Records Playlists page and make it easier to enjoy the compilations that are already available there.
There’s plenty more treats inside that YK WORLD episode, exclusives! You just gotta press play. Enjoy.
Bleary will release their full-length debut album, Little Brain, on May 15th, 2026. Along with that good news, the band released “foyer” today – the third song from that very album.
The album is eleven tracks of dense, harmony-drenched shoegaze that was composed slowly over six years of demos, detours, and obsessive layering. Little Brain explores memory, loss, and belonging – a heart-heavy wall of sound that is full of memorable hooks.
If you’ve not heard Bleary’s 2019 EP, Gates, make sure to get that into your ears soon as well. The work on Little Brain is a major evolution of that sound.
Speaking personally, I’ve been obsessively listening to Little Brain ever since the band shared it with me. The new track out today, “foyer,” is a great example of the heart heavy songwriting that they are able to channel through a big wall of sound… finding a perfect balance of shoegaze tendencies mixed with delightful harmonies and Bleary’s own special approach to it all.
There’s no single genre classification at work here – it’s truly a unique creation.
The LP and digital are available for preorder today. We’ll be releasing one more single next month before the album drops. Get this into your rotation and I am confident you’ll never take them out.
Less than a month after the release of “sugar splint,” Bleary announces the release of “bug” – now available everywhere. The track is the second single from Little Brain, the band’s debut album available in May (details soon).
The Major Label Debut podcast started out as a conversation with artists who had traversed the tricky, and often difficult, journey of releasing an album with a major label. Their first episode is with Rob Schnapf – producer of Elliott Smith’s XO, his Dreamworks debut. They also speak with Dave Pirner of Soul Asylum, Mark Arm and Steve Turner of Mudhoney and so many more.
As the show progressed, they opened their conversations to a slightly wider variety of people but always kept the chat squarely at the intersection of art and commerce. There’s an episode with Brendan Bourke of PR firm The Syndicate, Lisa Fancher of Frontier Records, and music lawyer Randy Ojeda – all of which are equally as fascinating chats as musicians you recognize!
All that to say, I was quite flattered when they invited me to come on the show and chat about Independent Label Life. We cover the history of YK, the importance of community and remembering that The Internet and Social Media are not synonyms.
“A Duchenne Smile” began with an unexpected collaboration – a melody kicked out on a Fisher Price piano by Jill Townsend’s own four-month-old daughter. The unconventional chord progression inspired an equally uncharacteristically upbeat composition for Fetching Pails, one that is undeniably bright and happy (and ended up as a sample in the final recording). The title refers to a neurological distinction in smiling; a Duchenne smile is a genuine one, signaling authentic positive emotion. Fitting for the new direction.
Here’s Jill Townsend revealing a bit of insight about the track:
This demo is the first I shared with Andrew to see if he’d like to be my drummer. It has a more overt 80s sensibility to it than my previous stuff at the time. This is me starting to put down the guitar (or pass it along to guitarist Dillon, rather) and write more songs on a synthesizer. During mixing, I added some samples of dialogue from old horror/sci-fi films, a theme I’ve been threading through many of our newer songs.
The paper mache heads in the artwork and accompanying videos were created by my friend (and former member of Peachy), Leah Miller. I wanted to make a stop animation video teaser for the song and at the last minute I decided to put my 4 year old daughter in it, which made it a sort of full circle moment, since it was her keyboard kicks that inspired the song.
The track also happens to be a real standout when you see Fetching Pails live. All and all, an excellent addition to the new era of songs emerging from the trio.
Oh! And just what IS a “Duchenne Smile“? A Duchenne smile, named after the 19th-century French neurologist, is a smile signaling authentic positive emotion, a genuine smile. Unlike a fake smile that only uses the mouth, the Duchenne smile also uses muscles around the eyes, lighting up the whole face. The smiles we have as newborns are often reflexive. Duchenne smiling happens with frequency around 4 months old.
Way back in 2019, Nashville band Bleary released an EP entitled Gates. I listened to it in heavy rotation; it had just the right balances of familiar influences, striking arrangements and harmonies.
Today, I’m happy to announce that Bleary is joining the YK Records roster and will be releasing their debut full-length record in May. We won’t give away all the details of it yet but, rest assured, everything that I loved about Gates has evolved into a creation somehow greater than its predecessor.
This is “sugar splint,” the first single from that forthcoming album. It’s an excellent example of the kind of infectious harmonies mixed with optimistic melancholy you can look forward to.
Here we are in the “dead zone” of 2025; that one week between Christmas and New Year’s that, quite frankly, should be a national holiday. I hope you’re getting some rest and relaxation and recharging for 2026. I like to take this time to button up any projects that have been lingering and reflect a little bit on the previous year.
Before I get into that reflection, let me start with a hearty THANK YOU. If you’re reading this, I can’t begin to express my gratitude. I’ve been running yk Records for 16 years as a labor of love and it continuously blows my mind that people are following along and enjoying the fruits of that labor. Don’t get me wrong, I know the music is good – I just know there are a lot of choices out there. In a world where small indie record labels have a lot to contend with, I sincerely thank you for tuning in.
I’m going to include a list of all of our releases from 2025 with a little blurb for each below. If you’d like to listen along, check out this YK 2025 Sampler.*I’m hosting it on Ampwall because
1) it was easy to make (untrue of Bandcamp playlists)! 2) it puts you on a platform that encourages supporting the artist (untrue of any streaming platform). 3) Okay fine, it’s also on Bandcamp, Spotify and YouTube. Convenience wins
Along with the playlist, you can also just jump into the deep end with a playlist of everything from 2025. That’s on Ampwall, Bandcamp, Spotify and YouTube as well. Dive in. Enjoy.
*Note that the Spotify playlists do not include everything because we do not put everything on Spotify!
** Did you notice Dave Paulson on that sampler and think – “hey, that record came out in 2018!” That’s true! But it only came out on vinyl this year. So it gets included. 😉
Throughout 2024, The Robe released a mind boggling amount of music; two new songs every month and sometimes more. I’m honestly unsure how he did it.
To commemorate that, we kicked off 2025 with two compilations of all of those songs. MMXXIV is all of the A-sides from the releases, with MRYUCK (2025 BEEZ) containing all of the b-sides.
Listening back to both compilations, they’re both fantastic. Clearly I’m biased but Rollum’s songwriting and arrangements never fail to captivate and immerse me. Technically these songs are from 2024 but if you missed them then, be sure to get them into your ears in 2025. There’s still time.
We only got one official release from General Trust in 2025 and it’s a damn good one. That said, accomplishments should not be measured simply by digital output! General Trust went out on a mini-tour with More Is Not Enough, played Spooky Ghoul Fest, played Fascination Street and worked on plenty of newmusic.
Tristen and Cortney Tidwell are incredibly talented in their own solo endeavors. If you’re unfamiliar with either you’ve got some homework. Finding out that they had recordings together was a shock and delight. I jumped at the opportunity to be involved.
These two songs were revived from an old hard drive. They capture a very unique time and place, physically, emotionally and otherwise. Regardless of the context, the songs and performance are downright moving.
Another YK artist with just one song released in 2025 but also another YK artist with a stellar offering regardless of the volume. If you haven’t been paying attention, “Ruiner” is actually one of three new singles over the past two years. Make sure you hear “The Witching Hour” and “Shattery” as well!
Prepare yourself for more new music in 2025. Being prepared now!
One theme you’ll see emerge throughout these blurbs is astonishment. I’m astonished that I get to work with all of these artists. I’m astonished by the work that they create.
Matt Pelham’s project Matt & The Watt Gives falls right into that category. I’m dumbfounded that I get to work with an artist that I’ve been a fan of for nearly 30 years but moreso I’m blown away by the work itself. This record is both a fire-y rock record and a vulnerable introspection.
We got some very nice press on this one from the Nashville Scene (even a Best of Nashville!), WNXP, WRLT, Ampwall and many others. Write-ups and coverage are not why we do this but they certainly feel good.
It’s a fantastic record with wonderful artwork, two very fun videos and a live show that can’t be beat.
Matthew Smith is Talking with Hands – a pseudonym for his solo work that he’s been using since 2013 (with the debut on YK). His work is layered, thoughtful and intentional. I love hearing him talkabouthis process because he is always actively exploring new sounds and techniques.
Part of that exploration is listening to the feelings that he can not be quiet about happenings in the world around him. Our turbulent political times call for commentary. The Coin is that commentary; a brief and compelling EP exploring frustration and revolution. It’s also pretty damn poppy with a outrageous music video.
If you don’t know, Cody Uhler was one half of Kindercastle – a band that made ELO style pop in Nashville and played a large part in YK Records existing in the first place. He’s released several albums under the name Nahnee Bori and many under his own name; all exploring sound techniques and blending of styles. I’m biased but he’s brilliant.
Gluggle Jug is somewhat of an extension of his previous release Darbo’s Island. Where the latter felt like an unreleased SNES soundtrack, Gluggle Jug expands that sonic palette into a layered dance party. It’s a delightful listen; buoyant, gummy and visceral. We said in the press you can “feel it in your jaw and mouth” and I think that’s an absolutely apt way of putting it.
What happens when you post a song to the Internet in 2005, someone puts that song on a mix CD with no credit and then tries to find you 15+ years later? That’s the story of Alex Caress and the song “Don’t Get Over Me.”
The Lostwave community spent years looking for him and was actually successful in 2025! That’s the impetus behind putting out this record that Caress made way back when. It’s a wild ride.
Read more about it here on WPLN and then listen to Alex speak in detail about it on this podcast episode. There’s an incredibly uplifting lesson to having your music discovered decades after you made it; it does matter and does reach people. Keep making it.
Back in January of 2025, I started a podcast! I am using this as a place to talk about new releases, have more in-depth conversations and generally talk about literally whatever seems worth talking about.
I’ll note that I have zero metrics on this thing so I have no idea how many people are listening but despite that, go subscribe. 😉
This may be the first time we’ve released a single exclusively to YouTube. It’s a full blown new Tower Defense song AND full blown video but you won’t find it on streaming or download, only YouTube.
This is the first taste of lots more Tower Defense coming our way in 2026. I’ve heard the demos and can confirm you should be excited.
To most, Chris Crofton is a comedian and satirist. His writings as The Advice King are hysterical and always poignant. While humor is the primary draw, there’s always a significant amount of self-reflection and introspection.
Crofton’s musical endeavors embrace that self-reflection and introspection with just a dash of the comedy. In the liner notes for I’m Your Man, he remarks that for 20-years he’d been battling a prescription induced brain fog. Remedying that balance unlocked a wave of creativity (listen to “Side Effects”) and prolific abundance.
For me, I’m Your Man is a melancholy record. It’s heart heavy at times, it’s wry at others. It’s lovingly sweet and it’s self-critical. Crofton’s delivery is sincere, vulnerable and uniquely his own.
I implore you to watch all threemusicvideos; each their own perfect short film.
This 30-minute EP was inspired by the techniques of Miles Davis and his producer Teo Macero. sugar sk–lls performed an improvised set and then handed it off to Coupler to with the instructions of No Overdubs. Edits and mutations are encouraged but don’t add instrumentation.
The final result is 3 movements of sound that evoke a primordial event. The title of the record is a nod to exactly that – a time when our planet mutated into being oxygenated; destroying nearing everything in its wake.
sugar sk–lls and Coupler always create with great intention. This EP is fascinating in how it came together and the events that it evokes. Watch the video for “Part 1” and really let that concept sink in. Then be sure to listen to both artists speak on the creation and that intention behind it all.
The second EP from Alex Mojaverian’s Trash Man is kind of a perfect sophomore offering. His songwriting continues to get stronger – it’s pop/rock but it’s existential pondering. The recordings are stronger – done his hometown buddy Dave Lawson. The twovideos are even a step up.
These songs always hit me just right. They’re loud and unbelievably catchy while still capturing real concerns about yourself and the world.
Right here at the top let me express my delighted fascination with Jessica Breanne’s voice. It has a cadence and a quality to it that no other human has. This may be true for all of our voices but Breanne is able to use it in a way that is heart heavy, melancholy and bursting with boiling strength all at once. If you’ve ever heard any traditional country artist that could sound both broken and defiant, you are in the right ballpark.
Electric Heart is Breanne’s second full-length album under her own name and it serves to expand her sonic palette from her previous (wonderful) debut, Rosebud Queen. Where that record has a more country-induced flavor, Electric Heart weaves together the psychedelic, Southern rock and even a touch of roots.
Through it all, Breanne’s voice carries the songs. Her songwriting is deeply personal and often downright Southern gothic in the stories she shares. The record has threefantasticvideos – start there and then immerse into the rest.
I have been a fan of Zook since I first stumbled on his work back in 2018. Every album, standalone single and experimental EP was a rewarding listen for a variety of reasons.
Evaporating does not sound like what I first heard in 2018 as the project has evolved and changed with each release (as it should). Fortunately, the pleasure and reward remains. This is an album that finds an absolutely perfect blend of power pop, shoegaze, synth explorations and just a hint of the off-kilter experimental. All that while being introspective and catchy.
This is not the last time you’ll hear me sing Zook’s praises. This is a record that I am incapable of turning off once it’s started. I think you’ll feel the same. Watch this video for “Disappear” and you’ll be hooked too.
Once again, THANK YOU to everyone who purchased, favorited, streamed or paid any morsel of attention to the label in 2025. It truly means a lot to everyone involved and there’s plenty more on the horizon.
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